You could suppose that photographers are artists at their soul.

That they’re master technicians, the camera a second extension of themselves. Or that they’re messiahs of light and how to capture it. And I could never answer those questions. I’m not a photographer. Just a friend. All I know is the story of how a kid who loved his backyard ended up creating a career whereby he could share it with the world.

The story starts some four decades ago. Sterling Lorence and I were lucky little buggers. His house was spectacularly positioned at the confl uence of a creek and the ocean. I lived just up the street. We were groms in paradise, and we knew it. We’d fish for flounders in our little dingies and have rock fights on the beach. We lived on a circular road with little traffic and lots of kids, and from our earliest memories, we were riding bikes, exploring, and in the rare event we got bored, causing trouble. It was the late ’70s and early ’80s in West Vancouver, British Columbia, what is today one of the richest communities in Canada. Back then, though, it felt like we were living in the backwater.

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